1. |
Kingdom Come (2009)
06:58
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2. |
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3. |
In The Cut (2009)
07:11
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4. |
Empire (2010)
05:23
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5. |
Kuklinski's Dream (2010)
08:10
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6. |
Wolf at Harp (2010)
12:29
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7. |
Chunk (2011)
10:14
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8. |
Cruel and Usual (2011)
08:29
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9. |
Longing (2011)
06:45
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10. |
Miss Fortune X (2012)
07:33
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11. |
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12. |
Liminum (2012)
08:24
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13. |
Platinum Fox (2012)
05:02
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14. |
Juanita Neilsen (2012)
11:22
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15. |
Black Emperor (2012)
08:29
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16. |
Black Disciples (2013)
08:19
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17. |
Lowest Drawer (2013)
08:30
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18. |
Sogno 102 (2013)
07:00
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19. |
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20. |
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21. |
Broken Approach (2014)
12:21
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22. |
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23. |
Lupara Bianca (2014)
10:44
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24. |
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25. |
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26. |
Chrome Arrow (2014)
10:09
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27. |
Wall Drawings (2014)
10:58
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28. |
Tough it Out (2014)
08:25
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29. |
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32. |
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33. |
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34. |
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35. |
Erst (2015)
08:04
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36. |
Fourth Estate (2015)
08:37
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37. |
Marking Time (2016)
11:58
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38. |
Shadow (2016)
10:22
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39. |
Majority of One (2016)
10:46
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40. |
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41. |
Pure (2017)
07:55
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42. |
Kaps Freed (2017)
20:09
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43. |
Black Tide (2017)
13:07
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44. |
Shadow of Mill (2017-18)
13:52
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45. |
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I became familiar with the Tarantella during the time I lived in Sicily in the 1990s, where I was fascinated by the idea of Tarantella as a ‘curative’ dance performed by pairs of women in villages on the slopes of the active volcano in Sicily, Mount Etna (Mangibeddu in Sicilian). This piece uses the Tarantella to link my current life in Australia to the formative years I lived in Sicily. A vinyl record of Tarantella, found in a Sicilian market, and ‘prepared’ with a personal note etched into the surface. The graphic score is made of colours extracted from the cover of that record. All that remains of the dance form – its frenetic energy and 6/8 rhythms - resides in this modified record – and the work is instead underpinned by low frequency sounds and drones, the result of years of listening to the mystique of Mangibeddu, and thinking about the impact this important place has had on my life and friendships.
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46. |
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47. |
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48. |
Our House is On Fire
07:21
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49. |
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50. |
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51. |
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53. |
Sub Aerial (2015)
07:19
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54. |
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55. |
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The opera is based on the 2014 Human Rights Commission report ‘The Forgotten Children: National Inquiry into Children in Immigration Detention’ and
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56. |
Human Cathedral (2019)
12:00
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57. |
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58. |
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59. |
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60. |
The Long Now I (2021)
06:51
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61. |
The Long Now II (2022)
09:28
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62. |
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63. |
Landay Sequenza (2023)
17:54
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64. |
9 Options (2022)
10:39
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Cat Hope Perth, Australia
Cat Hope is an Australian composer, sound artist, songwriter, flautist, bassist and vocalist. This site features samples of her work as a composer (Cat Hope, Decibel), noise artist (Fetish, Abe Sada, Lux Mammoth) and pop musician (Gata Negra).
If you like Cat Hope, you may also like:
featured on Bandcamp Radio Feb 16, 2016
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The prolific drummer and producer, a veteran of the Philadelphia and Antwerp club scenes, proves his rhythmic mastery once again.
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Wild noise rock on Upset the Rhythm that chucks free jazz, punk, and drone into a blender and presses “puree.”
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Ritualistic layers of quivering cello anchor this work of eerily delicate experimental electronica.
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The enigmatic punk-rap duo of Justin Pearson (The Locust, Swing Kids) and hip-hop producer Luke Henshaw make their long-awaited return.
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Canadian producer and multi-instrumentalist galvanizes bowed guitars, cellos, and synths into an off-kilter exploration of heat and desire.
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Request Stop
by Various Artists
Brachliegen Tapes's electronic compilation finds magic in the simple act of riding the bus.
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